About Us

Where Liqube on its own is an electronic music producer, Liqube Audio stands for a small team of innovative and forward-thinking creators dedicated to bringing quality content to the masses.

While we're specialized on deep metadata and usability/UX design and engineering, but our skill set covers a large chunk of audio/music production, visual design, and web/software development.

We're best known for Resonic Player, the planet's fastest audio player and sample browser, and Resonic Pro, an audio asset manager for audio professionals and enthusiasts.

Being closely involved with the community and always open for brainstorming and feedback is how we work best, and we're sure our users appreciate that. Their contributions are always seen, collected, discussed, and often revisited.

We also made the free tools DTC and PluGView, as well as various other software in the past.

We've been working with companies, artists, and individuals for years, are highly appreciative of any support we receive, financially, or in other ways, and welcome any new and creative opportunities.

We accept paid feature requests, usually in a limited exclusive fashion unless contracted otherwise, in order to accelerate certain parts of development.

Get in touch anytime.

Resonic was born out of frustration.

The lack of studio-grade features in audio players, the boring process of sighting lots of files after a field recording day, extracting parts, saving them to new files, you know the drill. Something needed to be created that simplifies this job and most importantly keeps the motivation flowing. Today we call it Resonic Pro, and it has long surpassed the original ideas.

Audio players have rarely combined fast handling of audio files with features that accelerate repetitive and creativity-absorbing processes during audio production. Aside from speed and stability issues, the actual playback portion was often rushed and eventually ended up being suffocated by new features piled on top of it.

While most players work fine for music listening, they often fail to satisfy in daily studio life with bad handling of short sample files, bad metadata support, no seamless looping, no fast retriggering of sounds, and visual seeking.

Audio and video producers commonly work with very large amounts of content, but neither free nor paid software has been able to handle tens or even hundreds of thousands of files efficiently without indexing them first.

When it comes to metadata, only the very basic tags have been established for mainstream use, which are covered by most players. Countless new competing standards and pseudo-standards have emerged over the years. These days many programs and methods to embed metadata in files exist, sometimes partially broken or off-specification. When the metadata is written in different ways, but not properly read again, much of it is eventually is lost in translation. Resonic's ever-evolving Meta Core attempts to read and interpret as much information as possible.